Entries in 1982 (7)

Thursday
28Jan2010

Burden of Dreams

"Without dreams we would be cows in a field, and I don't want to live like that. I live my life or I end my life with this project."

Release Year: 1982

Director: Les Blank

Review: To understand Herzog films you must first understand Herzog.  This is probably an oversimplification since I'm not sure anyone can understand Herzog.  He is an absolutely driven, purely passionate and completely insane character.  Herzog the man is just as interesting as his films.  To truly appreciate his films, you need to read the stories about making the film.  There may not be a better example of Herzog, the glorious madman, then 'Burden of Dreams' a documentary on the making of 'Fitzcarraldo'.  Herzog takes no shortcuts, makes no excuses, and just goes for it.  If you ever wanted too see what it means to really throw yourself into your work then look no further than Herzog's obsession with completing this film.  This behind the scenes look is absolutely captivating.
Rating: 4/5

Saturday
31Oct2009

Blade Runner

Release Year: 1982

Director: Ridley Scott

Review: Considered one of the greatest sci-fi films of all time, 'Blade Runner' had a lot of hype to live up to going in.  Right off the bat I found myself in a quandary. There are several, apparently very different, cuts of the film.  This is a frustration because I don't want to have to do research to find the best version to watch.  I decided to just go with the theatrical release and not worry about it.  My biggest gripes with the film were elements which were not supposed to be in the film and were cut from later releases.  The terrible, and hotly contested, voice over and comfortable ending were ugly holes in an otherwise smooth landscape.  It's too bad they were included in the theatrical release since they didn't go with the rest of the film and felt very out of place.
 
The basic plot of the film is that, in the not so distant future, humanoid robots called "replicants" are created and are nearly indistinguishable from human beings.  After a revolt, replicants are declared illegal on Earth and a special unit of the police called Blade Runners track down any illegal replicants and dispose of them.  Harrison Ford plays a retired Blade Runner who is called out of retirement to track down a few replicants who recently escaped and who are considered highly dangerous.  The gritty noir dystopia that director Ridley Scott creates is the most striking element to the film.  As soon as I hear the title "Blade Runner" I'm instantly transported into the miserable, bleak and dark world in which the scum run the show.  The brilliance of the creation of this environment is that its rooted in reality.  There isn't anything too out of the realm of everyday modern life.  It looks like a place that could exist in the near future, not some idealized, polished, technology driven dreamland. 

While I feel the film is incredibly imaginative in the set design, the plot and some visuals felt too cliche sci-fi.  Rather than transcending the genre it stayed right in the sci-fi stereotype wheelhouse.  If it had a stronger plot these conventional aspects would have been overlooked, but instead it was a bit of a conventional, straight-ahead plot.  At least as far as the general story of the film goes.  What saves it from being a completely forgettable sci-fi thriller are the deep themes in which it explores.  The existential examination is profound, begging the question what it means to be human.  The so called inhuman replicants are just like anyone else, and yet there life is disregarded.  When they die, its just a machine being shut down, but they have the same emotions and memories as anyone.  There are many layers to be peeled off and each one should be examined.  For having such a mundane synopsis, the film utilizes every frame to explore complex themes.  I think at times it stumbles over itself as a sci-fi thriller, but the meaning and symbolism is what makes this a great film.
Rating: 4/5

 

Saturday
03Oct2009

The Verdict

 

Release Year: 1982
Review: In 'The Verdict' an ambulance chasing attorney who has fallen on tough times gets a case that slaps him back into reality and ignites him to fight for what's right. It takes a special kind movie to pull this type of plot off. Fortunately this film has the unique combination of a superb actor at the top of his game, sharp dialog and a director who knows how to make those two ingredients mesh together.

It would have been all to easy for this to be a painfully slow and dull legal drama, but with Sidney Lumet in the director chair there was no way that was going to happen. Lumet is a master at directing dialog and a courtroom is the perfect stage for this master to conduct his craft. There is a certain pacing and intensity to dialog in Lumet films which make it all that much more compelling. As good as Lumet's direction is, without a talented actor to deliver the lines, it would still fall flat. Paul Newman is that talented actor in this case. He is fantastic, delivering a rich, emotional, and intensity filled performance. Beyond the acting and dialog, this was a fine examination of the boundaries of the judicial process. Pressing the jury to do what they feel is right and not to over think and get bogged down in bureaucratic nonsense. More than just a courtroom drama, however, it is an interesting look into the life of a ruined man and the extents of his personal will power. With so much going for it, I was a bit disappointed with the way that it ended. There were some dull points, but for the most part it felt like the story kept building up emotionally and was gaining momentum going into the final act only to just kind of fizzle out. It may not be Lumet's best work, but it is a very strong, powerfully acted and emotionally charged drama.
Rating: 3/5

Monday
02Feb2009

Fitzcarraldo

 

Release Year: 1982
Review: There is something about Herzog's work that lingers with you long after you finish watching it. The way in which he labors in his film making, ensuring the most authentic experience, impacts the viewer more than any use of special effects ever could. Fitzarraldo is a fine example of the effort Herzog puts forth. He literally drags a boat over a mountain for the filming leading even Werner to call himself the "Conquistador of the Useless". The story itself is in a way a mirror of his filming processes. An inspiring story about a slightly insane man determined to do the impossible in order to raise money to build an opera house. The distinctly Herzogian journey which the film takes you on is beautiful, strange and rewarding-- and worth every minute.
Rating: 5/5

Friday
26Dec2008

The Secret Of NIMH

 

Release Year: 1982

Review: One of my favorite movies as a child, I wanted to rewatch this and see how it held up over the years. While it's not at the level of the Disney classics, this is a very well made classic animation with an interesting plot. The story follows the troubles of field rodents injected by scientists making them intelligent, as they try to overcome the dangers of humans and each other. Unfortunately there is too much to this plot to be covered in the short running time of this film, and that is what is really keeping this from being a great film.

Rating: 3/5

Saturday
13Dec2008

Tootsie

 

Release Year: 1982
Review: Tootsie wasn't all that funny or shrewd. I don't think it's held up well over time, with some of the jokes falling completely flat and 80's music score making it feel more like a sitcom then a feature length film. The highlight of the movie was watching Hoffman immerse himself into the character of Dorothy. He gave himself completely to the role and that alone makes this worth the watch.
Rating: 3/5

Tuesday
29Jul2008

A Midsummer Night's Sex Comedy

 

Release Year: 1982
Review: I think this is a highly underrated Woody Allen film. Perhaps I'm being overly kind to the film and overlooking many of the flaws simply because it is an Allen work, but I enjoyed the movie quite a bit. It's light, and while it may not have as many laughs a minute as some other Allen films, it has some wonderful dialog about love and lust. Provided you don't take the film to seriously, and allow yourself to be captured by the smart dialog and beautifully shot scenes, its a wonderful viewing experience.
Rating: 4/5